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think in film.


"no art passes our conscience in the way film does, and goes directly to our feelings, deep down in the dark rooms of our souls." - ingmar bergman.
[you can find me on youtube, where i post movie edits: youtube.com/thelemalema]

disneyconceptsandstuff:

James Lopez, a veteran Disney animator (The Lion King, Pocahontas, Paperman), is currently trying to raise money for his traditionally animated project Hullabaloo. Hullabaloo is a steampunk short film which Lopez is hoping will help save the cause of 2D animation, and possibly lead to a TV series or film. So, if you’re interested in badass steampunk ladies or traditional animation, may I recommend you give a dollar or two. Hullabaloo's IndieGogo page is over here, visit to donate and learn more! And I’ll conclude with the plot: 

Hullabaloo is the story of Veronica Daring, a brilliant young scientist who returns home from an elite finishing school to find her father—the eccentric inventor Jonathan Daring—missing without a trace! The only clue left behind points Veronica toward Daring Adventures, an abandoned amusement park used by her father to test his fantastical steam-powered inventions. There she discovers a strange girl named Jules, a fellow inventor who agrees to help Veronica in locating her missing father and discovering the secrets of his work.

Together, Veronica and Jules learn that Jonathan Daring has been kidnapped by a mysterious group of influential persons, who seek to use his latest invention for nefarious purposes. These villains are wealthy and influential and neither Veronica nor Jules can stop them openly. But determined to save her father and holding true to the family creed that technology should be used for the good of all, not the greed of some, Veronica assumes the secret identity of “Hullabaloo”, a goggled crusader who uses wits and science to combat evil and oppose the nefarious conspiracy that has taken her father.

David Fincher: The look on Jesse’s face after Andrew says, “Oh god, we’re in so much trouble now,” and you cut to Jesse and he has this sort of impish look on his face, like “so what? Isn’t that the point, to be naughty?” and then you see it sink in for a second—he’s like, “oh wait a minute.” I remember watching him as we were shooting and he did it probably 12 or 13 times, and every time it was just a little bit different. You could just tell he had his fingers tightly around the throat of exactly what he was doing with this guy, and it’s a great pleasure to watch somebody who is as skillful as Jesse Eisenberg is. He doesn’t, I think, give himself the credit a lot of times because he’s so much of a responder. He’s not the kind of actor who wants to take center stage; he wants to react. But when you see him be this good for this many weeks in a row—and I remember he took me aside at one point and said, “You would tell me if I was sucking ass, you would tell me if I was terrible?” and I said, “Oh yeah, absolutely, you would be the first to know.”

DVD commentary

best of beca mitchell

austenchanted:

…when she brings up Mr. Wickham, jealousy is a thing that then brings him forward. - Joe Wright, director

k4nine:

Jean-Marc Rochette’s SNOWPIERCER illustrations

marinaesque:

The Darjeeling Limited - production design by Mark Friedberg